Home  ||  Community News
Chinese New Year Celebration Kicks off
with New Exhibition at Nelson-Atkins



      



Ancient Chinese Masterworks Pair with Monumental Modern Landscape
Major Exhibition Fills Four Nelson-Atkins Galleries; Artist Studio Open to Public


Kansas City, MO Jan. 14, 2013–An exhibition that juxtaposes thousand-year-old Chinese landscape paintings with the monumental landscapes of the living Chinese master Xu Longsen, Journey through Mountains and Rivers: Chinese Landscapes Ancient and Modern, opens on Feb. 8 at The Nelson-Atkins Museum of Art in Kansas City. The exhibition is a celebration of six treasured landscapes from the Nelson’s collection that have just received incredible critical and public acclaim in the exhibition Masterpieces of Chinese Painting and Calligraphy from American Collections presented at the Shanghai Museum.

This is a unique opportunity to view these masterworks which, because of their fragility, are rarely displayed. In conversation with these ancient works are 14 landscape paintings by Xu Longsen ranging from small, fan-shaped paintings to a monumental, horizontal scroll which is the largest Chinese landscape painting ever created and has never before been displayed in public.

“The rise of landscape painting in China from the 10th to the 13th centuries represents one of the most important revolutions in the history of art,” said Julián Zugazagoitia, CEO & Director of the Nelson-Atkins. “This landscape tradition has endured for a thousand years and is breaking new ground in the works of artists such as Xu Longsen.”

Although Roman mural painting depicted figures in landscape settings, in China, for the first time, landscape itself became a primary theme. Tiny figures were often present, serving to emphasize both the vastness of nature and mankind’s intimate relationship with the natural world.

“Landscape painting was not merely the representation of scenery, but also possessed profound philosophical meaning. It carried a moral message,” said Colin Mackenzie, Senior Curator of Chinese Art. “For the Chinese, landscape was a symbol of the natural way of things—a central tenet of Daoist philosophy—an escape from the corrupt world of official life, and an expression of the refined character of the artist. Confucious himself recognized that nature can be a moral force when he said that the wise take pleasure in rivers and the virtuous take pleasure in mountains.”

The Nelson-Atkins Museum is one of a very few museums in the world that can tell the story of the rise of this great tradition through paintings by major masters.

“For all of us who love landscape painting, the Chinese collection is truly wonderful, a real gem,” said Marilyn Stokstad, professor of Art History at the University of Kansas. “How fortunate we are to be living in, and near, Kansas City with its wonderful Nelson-Atkins Museum. Only such a museum could even think about a show like this one.”

The exhibition will be presented in four galleries in the Nelson-Atkins Building. Kirkwood Hall will display the hand scroll Illustration to the Second Prose Poem on the Red Cliff, attributed to Qiao Zhongchang. This painting is celebrated for its remarkable psychological insights into the famous Red Cliff poem composed by Su Shi (1037 – 1101), a senior contemporary of Qiao. A special interactive program on a sliding iPad can be moved across the scroll case, allowing visitors to engage fully with the cultural and historical background of this work.

In conversation with the Red Cliff. is Xu Longsen’s monumental horizontal scroll The Law of the Dao is its Being What it Is, painted during six years from 2002–2008 and displayed in public for the first time. Almost 90 feet long and over 12 feet tall, this scroll will be positioned in a semicircle, immersing visitors in a dense landscape of mountains, forests and streams.

On the museum’s second floor, visitors can view Xu Longsen at work in his recreated artist’s studio, complete with the Four Treasures of the Scholar’s Studio (brush, ink, inkstone, and paper). Xu will be in residence for one week (February 8–15). Next door, in the Chinese Furniture Gallery, visitors can enjoy Xu’s smaller paintings together with his collection of scholars’ rocks. These naturally weathered and fantastically shaped stones were appreciated by Chinese scholars and artists who valued them more highly than statues or sculpture. Rocks were often regarded as miniature landscapes, so visitors can enjoy the resonance between them and the paintings.

From this gallery visitors can take a journey back in time to the Chinese painting gallery, in which are displayed eight famous paintings of the Song Dynasty (960-1279) and Yuan (1271-1368) Dynasties. These include the hanging scroll Solitary Temple Amid Clearing Peaks, one of only two works plausibly attributed to master Li Cheng (919-967), who was recognized by contemporary and later critics as a seminal figure in the rise of landscape; the majestic Fishermen on a Mountain Stream by Xu Daoning (970-1052), universally accepted as one of the greatest landscape handscrolls to survive from the Song period; stunning hand scrolls by the two most famous court painters of Southern Song (1127-1279)–Composing Poetry on a Spring Outing by Ma Yuan (act. 1189-1225) and Twelve Views of Landscape by Xia Gui (active ca. 1180—1224); Verdant Mountains, a rare surviving work by Jiang Shen (ca. 1090-1138), and Enjoying Fresh Air in a Mountain Retreat by Sheng Mao, (active ca. 1330-1369).

Because Journey through Mountains and Rivers: Chinese Landscapes Ancient and Modern is such an important opportunity to revisit these treasured masterpieces, an impressive line-up of public programming has been created.

Thursday, February 21
Special Presentation
A Revolution in Chinese Art
6–7 p.m.
Atkins Auditorium
Marc Wilson, The Nelson-Atkins Museum of Art Director Emeritus and esteemed scholar of Chinese art, tells the fascinating story of one of the world’s most significant artistic revolutions—the advent of landscape painting in China during the 10th-13th centuries.

Saturday, February 23
Conservatory Connections: Music in the Galleries
Chinese Journeys, Traditional and New (Featuring the Students of Composer Chen Yi)
1:30 and 2:30 p.m.
Kirkwood Hall
Ancient and modern come alive in the exhibition Journey through Mountains and Rivers. Enjoy new compositions performed by Jing Zhou and colleagues Michael Miller, Tyler Capp and Scott Steele performed on various instruments, including the traditional Chinese zheng.

Friday, March 15
The Curator is IN!
A Journey through Mountains and Rivers
7-8 p.m.
Gallery 222
Take a journey back in time with Nelson-Atkins Curator of Chinese Art Colin Mackenzie, and discover the great landscapes of China. Eat at rustic restaurants, visit secluded temples, meet with distinguished scholars and poets, and view vast vistas from the tops of mountains – all in the imagination, of course!

Thursday, April 4
Panel Discussion
The Art of the Brush: Chinese Painting in a Contemporary World
6-7 p.m.
Atkins Auditorium
Join an exciting line-up of speakers, including Nelson-Atkins Curator of Modern & Contemporary Art Jan Schall, Melissa Chiu, director of the Asia Society Museum in New York, and Robert Mowry, curator of Chinese Art at the Harvard University Art Museums, as they discuss Chinese brush painting in its traditional context and as an art form that may (or may not) have a future in today’s art world. Nelson-Atkins curator Colin Mackenzie moderates this fascinating conversation.

Image caption: Attributed to Li Cheng, Chinese, 919-967 C.E. A Solitary Temple Amid Clearing Peaks, Northern Song Dynasty (960-1127). Hanging scroll, ink and slight color on silk. Purchase: William Rockhill Nelson Trust

Artist rendering of Kirkwood Hall installation featuring the Red Cliff and The Law of the Dao Is Its Being What It Is.

Photo credit: Liu Yuanyuan

This exhibition is supported by The Donald J. Hall Initiative.


The Nelson-Atkins Museum of Art
The Nelson-Atkins in Kansas City is recognized nationally and internationally as one of America’s finest art museums. The Nelson-Atkins serves the community by providing access and insight into its renowned collection of more than 33,500 art objects and is best known for its Asian art, European and American paintings, photography, modern sculpture, and new American Indian and Egyptian galleries. Housing a major art research library and the Ford Learning Center, the Museum is a key educational resource for the region. The institution-wide transformation of the Nelson-Atkins has included the 165,000-square-foot Bloch Building expansion and renovation of the original 1933 Nelson-Atkins Building.

The Nelson-Atkins is located at 45th and Oak Streets, Kansas City, MO. Hours are Wednesday, 10 a.m.–4 p.m.; Thursday/Friday, 10 a.m.–9 p.m.; Saturday, 10 a.m.–5 p.m.; Sunday, Noon–5 p.m. Admission to the museum is free to everyone. For museum information, phone 816.751.1ART (1278) or visit nelson-atkins.org.

For media interested in receiving further information, please contact:
Kathleen Leighton, Communications and Media Relations Officer
The Nelson-Atkins Museum of Art
816.751.1321
kleighton@nelson-atkins.org


納爾遜·阿特金斯藝術博物館
《江山行旅——中國古今山水畫展》隆重開幕

佔據納爾遜博物館四個展廳的大型中國山水畫展;珍貴古代繪畫精品與當代藝術家的巨幅山水畫
(長26米、高3.5米)同期展出;中國藝術家在博物館工作室現場作畫,首次對外開放。


密蘇里州堪薩斯城的納爾遜·阿特金斯藝術博物館(The Nelson-Atkins Museum of Art)精心策劃的《江山行旅——中國古今山水畫展》將於2013年2月8日隆重開幕。展覽的最大亮點是:有千年歷史的中國宋代繪畫精品將與中國當代畫家徐龍森的巨幅山水作品同期展出,幫助觀眾從山水中探尋中國藝術的淵源及發展。

展覽將展出九幅本館珍藏的古代繪畫精品,其中六幅剛剛在上海博物館“翰墨薈萃——美國收藏中國五代宋元書畫珍品”展上展出,吸引了三十五萬人參觀;另外三幅長期用於研究久未亮相。由於歷史悠久,這些作品很少展出,這次展出之後估計近十年都不能再拿出來展示了。所以,這是廣大觀眾唯一欣賞中國古代精品繪畫的好機會。展覽中,與古畫“對話”的是當代藝術家徐龍森創作的10幅從小型扇面到他從未對外展示過的巨幅山水畫,他的《道法自然》可能是中國藝術家創作的世界上最大的巨幅橫軸山水。

納爾遜博物館的館長Julián Zugazagoitia表示:“中國山水畫在世界美術史上是一支重要的畫科,10至13世紀時有過一次明顯的突破。這一題材的繪畫藝術家們創作了千餘年,並在當代有了新的發展,畫家徐龍森就是其中的代表。”

Colin Mackenzie是納爾遜博物館東方部的主任,也是本次展覽的策展人,他向我們熱情的介紹道:“儘管羅馬壁畫也描繪出了人與大自然的關係,但是在中國,早在魏晉南北朝時期,大自然這一題材就顯現出獨立的趨勢。盛唐時期,山水畫已脫離人物故事而成獨立畫科,並出現了畫法工致、賦色濃麗和筆跡豪放、水墨簡淡的不同流派,並由此獨立門戶。今天畫家們仍然非常喜歡描繪大自然,喜歡探索人類與大自然的關係,畫面中不僅表現唯美景致,還傳達深刻的哲學思想。孔子在兩千多年前就有雲‘智者樂水、仁者樂山’,人類對大自然的膜拜由古至今。對於中國人來說,山水更是自然的象徵,是道教、佛教哲學思想的詮釋。大自然能夠拓寬人們的眼界,頤養性情,人們也能從大自然中汲取營養,畫家們更是喜歡從自然界的山山水水中找尋創作靈感。”

眾所周知,納爾遜·阿特金斯藝術博物館是世界上為數不多的,能夠通過藝術收藏來清晰表述人類藝術發展的博物館之一。“對於我們所有熱愛山水畫的人來說,中國藝術才是真正的、最奇妙的、最具價值的收藏,”堪薩斯大學藝術史系教授Marilyn Stokstad如是說:“我們今天多幸運,我們生活的堪薩斯城就有這麼傑出的博物館。在中國之外,很少有博物館能有如此豐富精彩的中國收藏,也鮮有如此大膽新穎的策展創意,此展非常值得一看”。

展覽將佔據納爾遜博物館的四個展廳。Kirkwood Hall是博物館最大的展廳,這裡將展示北宋畫家喬仲常珍貴的手卷作品《後赤壁賦圖卷》,這是最早的文人畫之一,內容是根據著名詩人蘇軾的《後赤壁賦》而創作。畫作上方,是別出心裁的iPad教育互動體驗區, iPad在畫作上可以移動,還可以生動展示作品背後蘊藏的歷史與文化。

與《後赤壁賦圖卷》對話的是當代藝術家徐龍森的巨幅山水《道法自然》,他從2002年到2008年,花6年時間完成了這幅長26米、高3.5米的橫軸巨作,這幅畫是他首次對外展示。我們認為,《道法自然》很有可能是中國藝術家創作的最大山水畫。作品將以優美的半圓弧線懸掛在展廳,巨大的畫作有如穹幕,觀眾仿佛能夠身臨其境,走進畫中,攀越高山、探索叢林、泛舟嬉戲。

來到二層,觀眾可以看到徐龍森先生在博物館的臨時工作室,並有機會在2月8日至2月15日期間,親眼目睹徐先生作畫,還能觀賞他精心收藏的文房四寶——筆、墨、紙、硯。走出工作室,在旁邊的中國傢俱展廳裡,可以欣賞徐先生其他類型的山水作品,以及他收藏的奇石(太湖石、靈璧石)。

最後一個展廳裡,八幅宋代及元代繪畫赫然映入眼簾。北宋大畫家李成的水墨,尤以描繪寒林平遠著稱,所畫山水在北宋被譽為“古今第一”。他的立軸作品《晴巒蕭寺圖軸》,被評論家們認為是今天世上僅存兩幅李成真跡的其中一幅。《漁父圖》是北宋著名畫家許道甯所作,這是北宋山水畫手卷最精品之一。另外兩幅珍貴的手卷出自善於表現“山之一角、水之一涯”的南宋宮廷大畫家馬遠和夏圭,馬遠的《春遊賦詩圖卷》描繪了南宋時期上流社會十分流行的文人雅集;夏圭的《山水十二景圖卷》原為十二卷,現僅存其四,畫面描繪了雁陣飛向遼遠天際,笛聲悠揚的詩一般的境界。除此之外,還將展出宋代畫家江參罕見存世的《林巒積翠圖》、及元代畫家盛懋的《山居納涼圖軸》等。

本展覽由The Donald J. Hall Initiative支持。

納爾遜·阿特金斯藝術博物館
納爾遜·阿特金斯藝術博物館坐落於密蘇里州堪薩斯城,是國內外公認的美國最傑出的藝術博物館之一。納爾遜博物館以33,500件收藏來為觀眾提供接觸和瞭解藝術的機會,服務社會。這些豐富的藝術收藏包括精美的亞洲藝術、歐洲及美洲藝術、現代雕塑藝術、美國印第安藝術和埃及藝術,並擁有出色的藝術研究圖書館和福特學習中心,對本地區來說,納爾遜博物館是寶貴、不可多得的教育資源。

地址:密蘇里州堪薩斯城4525 Oak Street
免費開放,參觀時間:
週三 10:00—16:00
週四、週五 10:00—21:00
週六 10:00—17:00
周日 中午—17:00
諮詢電話: 816.751.1 ART(1278)
官方網站:www.nelson-atkins.org

若想瞭解更多精彩內容,敬請聯繫策展人
策展人:馬麟(Colin Mackenzie) 陸聆恩(Ling-en Lu)
電話:816.751.1340 / 816.751.1530
電子郵件:cmackenzie@nelson-atkins.org / lelu@nelson-atkins.org